Is Your Studio Green?

By Kate Dardine

I’m not talking about color here, I’m talking about eco – and health – friendly. Most of us paint away without considering the ramifications to our own health and the health of the planet.

My intention for today’s Earth Day blog was to write about all the ways that you can “green” your studio. The reason was two-fold: to learn ways that I can, as an oil painter, lessen my environmental impact, and to share that info with you. I naively thought that after typing in a few keywords into Google that I’d come up with enough info to write a book. Hardly. There is very little information out there, and what is available can be ambiguous, contradictory and in many cases, impossible to interpret. But I was determined…

Since I am an oil painter, I decided to start there. I use mostly Gamblin paints. Gamblin has a long history of environmental conscientiousness. Their website contains a lot of great information about studio safety. Their odorless mineral spirits (Gamsol) can be used as both a painting medium and a brush cleaner. Unlike regular turpentine, dirty Gamsol can be recycled with paints at the local recycling center. Of course, it is still made from a petroleum base, which by its very nature has an environmental impact. Dick Blick sells a turpentine substitute made by Eco-House called Orange Turpene which is made from “food-quality ingredients” and no petroleum. However, it still is classified as a hazardous material. I use Gamsol and have never had any problems with it – haven’t yet tried the various orange-based solvents made by Eco-House.

I was interested to learn that the cadmium pigments used to make paint are not considered harmful to humans during normal use. Gamblin does not make their Flake White with lead as other paint manufacturers do. However, they, as do all paint manufacturers, highly recommend that you wash your hands thoroughly after painting, or wear protective gloves.

One product that is icky is one that most oil and acrylic painters use – varnish. The best products I could find are still hazardous, and extreme caution should be used - proper ventilation, clothing, gloves and a respirator are all advised, particularly when using spray. Of course there is no law that says you HAVE to use varnish, but most of us like the extra layer of protection and the way it evens out surface reflection and deepens the colors.

And how about the support you paint on? Take canvas – seems environmentally friendly enough. But was the cotton grown using pesticides? Was the wood harvested using sustainable methods? Where was the canvas manufactured? I found some canvas made from organically grown hemp – but it comes from China. The amount of fuel used in transportation may offset the good of organic and sustainable hemp. You’d think someone in the States would figure that one out. I didn’t find any artist canvas made from organic cotton grown and manufactured in the USA. Maybe as artists we need to start demanding it? I know I am going to mention it to the company I buy most of my canvas from: Signature Canvas in Kansas. They use high quality materials all grown and manufactured in the USA, which is a big plus in my book.

How about wood support? According to the manufacturer, “Ampersand panels are made from FSC certified sustainable US Forest products. We use completely green manufacturing processes that protect the natural environment. No harmful chemicals used, no dangerous emissions for artists.” Ampersand panels come in a variety of surfaces for all types of painting processes, from watercolor and pastel to oil and acrylic, scratchboard and encaustic. They are available at a variety of art supply stores, including Jerry’s Artarama. Worth checking out – I know I’m going to try them!

A quick word on cleaning up after painting. Wipe as much excess paint off your brushes onto paper towel (recycled!) or painting cloths as possible. Swirl your brushes in odorless mineral spirits, wipe off on paper towel or painting cloth. Then use an environmentally friendly soap, such as Murphy’s Oil Soap or one of the brands made specifically for brush washing. (If you paint with hog bristle brushes, don’t use soap and water, as water will cause the bristles to get mis-shapen. Use lanolin lotion instead. Dispose of the painting cloths or paper towels into a metal trash bin with a lid.

You can recycle your solvents like this: Get two glass jars with tight fitting lids. Dirty solvent is put into one of the jars and left to stand overnight. By the following day, the pigment in the solvent will have settled to the bottom of the jar. Pour the recycled solvent into the second jar for reusing. The pigment sludge at the bottom of the jar can then be poured into a separate container and disposed of at any paint recycling center.

Make sure your studio is well ventilated – if possible, cross ventilate with a box fan in one window blowing air out of the studio and a second window open to let in fresh air. Researchers have identified several varieties of houseplants that excel in removing chemical pollutants from the air. Some common ones are philodendron, spider plant, and golden pothos, gerbera daisy and chrysanthemum (mum).

Obviously, there are many more ways to green up your studio and your art work. I’d love to hear from you on what you do to protect yourself and the environment while creating your art! Please leave your tips in the Comments section – thanks!

Here are some links you might find helpful:

http://www.gamblincolors.com/
http://www.ampersandart.com/
http://www.signaturecanvas.com/
http://www.air-purifier-power.com/art-studio-safety.html
http://www.eco-house.com/orangesolvent915.html
http://www.cleanairgardening.com/houseplants.html
http://www.goshen.edu/art/DeptPgs/safety.html

If you have other resources you’d like to share, please do so in the Comments section. Thank you! And Happy Spring!
Kate Dardine is a professional artist and the Marketing Director for Fine Print Imaging.

Anything But Green

I ran across a promo for a juried art show which asked applicants to interpret the theme “Anything But Green”- any way they wanted. I couldn’t help but think about the perceived oversaturation of the word “Green” today, and wondered if that was the impetus for the show theme.

Green fatigue is already a commonplace word in the English lexicon. Susan H. Greenberg wrote an essay about this in a June 30, 2008, Newsweek article by entitled “I’m SO Tired of Being Green”. In it, she interviewed Suzanne Shelton, CEO of the Shelton Group, a U.S. marketing firm that monitors America's environmental pulse.

Shelton Group's latest study, Energy Pulse 2007, revealed that between 2006 and 2007, Americans' enthusiasm for energy-efficient products and services fell across the board. "We are really seeing a backlash to the whole green thing," says Shelton. "We've tested environmental messaging for some clients lately, and we get a lot of eye rolls and deep sighs. We hear things like 'I'm so tired of the green label being slapped on everything,' 'I'm so tired of being guilted into being green'. Confusion creates inner shock, and when consumers are confused, they just do nothing."

OK, so what does that mean for those of us who are still trying to deliver a conservation - a green - message? It says that we have to use more effective tools to get our message across. And that’s where Fine Print Imaging’s green initiative - Art for Conservation - comes in. To successfully deliver a compelling message, one on which people will act, you have to appeal to their emotions.

We KNOW that images deliver a more impactful - more emotional - message than words alone. Fine Print Imaging is working with literally 100s of photographers and artists who are meticulously crafting their art so that it effectively communicates a conservation message. And while this may conjure up imagery of a river with floating debris or a pristine mountain top being scraped to mine for coal, it more often means images showing all of the beauty that our planet has to offer.

Fine Print Imaging and Art for Conservation partner together to provide discounted printing services to these artists. We also provide a beautiful online gallery of their art which helps them raise funds to continue creating art that helps preserve our delicate ecosystem. And we provide a strong social networking component that fosters communication between all of the parties involved in conservation of our natural resources.

One of our strongest partnerships is with the International League of Conservation Photographers. In conjunction with their book on climate change, "A Climate for Life", we created a 50 print exhibit highlighting the photography of the world's top conservation photographers. The gallery wrapped canvas giclee exhibit is touring North America and will eventually land in the offices of Conservation International in Arlington, Virginia.

Rather than screaming our message through a megaphone, we focus on telling the conservation story through imagery. And we tell the stories of our artists and photographers who make these conservation images. Instead of shoving green down people’s throats, we allow them to draw their own conclusions by viewing both beautiful and disturbing images. We KNOW that appealing to their emotions will make a stronger and longer lasting impression.

We would love to help you deliver your conservation message and support your conservation efforts by selling your images. Join us on Art for conservation - http://www.artforconservation.org - and become a member of the Fine Print Imaging family.

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